Canadian Richard Hannay, residing in London, meets secret agent Annabella Smith immediately following a shots fired incident. She asks to go home with him. Back at Hannay’s flat the mysterious woman confides that she fears for her life and is on a critical mission relating to protecting state air ministry secrets. Later that night assassins murder her. Believed by the police to be her killer, Hannay is forced to go on the run and flees to Scotland in a desperate attempt to see Annabella’s mission through before it’s too late. Along the way he chances upon beautiful Pamela, who unwillingly becomes his accomplice in the mission.

With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II

Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he’s also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.

The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny’s mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).

Gabrielle Van Der Mal gave up everything to become a nun. But her faith and her vows are forever being tested: first in the missionary Congo hospital where she assists the brilliant and handsome Dr. Fortunati and then at the mother house in France when World War II has broken out and the nuns are forbidden by the order to take sides.

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock’s Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.