Everett Quinton
After Louie explores the contradictions of modern gay life and history through Sam, a man desperate to understand how he and his community got to where they are today
Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.
In August of 1949, Life Magazine ran a banner headline that begged the question: “Jackson Pollock: Is he the greatest living painter in the United States?” The film is a look back into the life of an extraordinary man, a man who has fittingly been called “an artist dedicated to concealment, a celebrity who nobody knew.” As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.
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