The Snorks is an animated television series produced by Hanna-Barbera which ran on NBC from September 15, 1984, to May 13, 1989. Although not as popular as the animated series The Smurfs, the program continued to be available in syndication from 1986 to 1989 as part of The Funtastic World of Hanna-Barbera’s 3rd season, on USA Network in the late-1980s and early-1990s, on the BBC in the late 1990s, and from 2009–2011 and again from 2012–Present on Boomerang.

UsingaHypnoTransmitter,DreggisdisruptingalltheTVstationsinthecitywithahypnoticsignal,whichbecomespermanentafter20minutes.AftertheTurtlesdestroyhistransmitter,DreggdecidestoreplicatetheTurtles’mutageninordertomakehisTechnoGanginvincibleWrittenbyAnonymous

Tarzan, Lord of the Jungle is an animated series created by the Filmation studio for CBS. There are a total of 36 episodes produced over the first four seasons.

The series does not appear in the Entertainment Rights library, and the rights most likely rest with the estate of Edgar Rice Burroughs. However, Warner Home Video has released one episode on DVD, “Tarzan and the Colossus of Zome,” on Saturday Morning Cartoons: 1970s Volume 1; Warner Bros.’ rights to the series may originate from their ownership of international TV distribution rights in the 1970s and 1980s.

M. Harry Smilac is a down-on-his-luck music manager who is having a hard time attracting talent and booking gigs for his band, Kicks (The most recent of the gigs is a Dairy Queen opening!!). When making arrangements for a campaign fund-raiser, he mistakes Rick Roberts, a professional wrestler, for a musician and hires him. At that moment he becomes a wrestling manager and starts to book matches for him and his teammate Tonga Tom. The team is a success, and Harry decides to take his wrestlers and his band on a “Rock n’ Wrestling” tour. The tour is a success, and Harry feels what it is like to be a winner again.

Dracula and Renefield relocate to 70’s era New York in search of Cindy Sondheim (the reincarnation of Dracula’s one true love, Mina Harker). “Trouble adjusting” is a wild understatement for the Count as he battles Cindy’s psychiatrist, Jeffrey Rosenberg (a descendant of Van Helsing who changed his name for professional reasons?), who may almost certainly, possibly, may be in love with Cindy too.

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won’t turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle’s iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle’s willingness to cave in to society in order to save the relationship.